Material: Holz, drei-Wege-Lichterkette mit Bimetalbirnen, Hubmagnete die im Rhythmus der Lichtbewegung von Innen an das Holz schlagen.
Akademie Schloss Solitude
Stuttgart 1999
Material: Holz, drei-Wege-Lichterkette mit Bimetalbirnen, Hubmagnete die im Rhythmus der Lichtbewegung von Innen an das Holz schlagen.
Akademie Schloss Solitude
Stuttgart 1999
Künstlerhaus Sunderweg Dortmund, 1992
In the base there is a walkman with an endless cassette – in the ‘parabolic receiving dish’ of the aerial there is a loudspeaker – inside the small house a small light flickers. One can hear a sound collage that simulates a family milieu in the ‘good room’. Like a ‘musical clavilux’ the ultramarine light flickers inside the corpus – following the dynamism of the sound collage -and simulates the flickering of a television inside a living room, like one can see it in housing estates when passing. The aerial is functionalized in an opposite way here. It is not a receiver, but a transmitter to gain insight into the ‘inner life’ of the house.
The 10th Cracowian meetings
Galeria Bunker, Cracow (Pl) 1995
DVB-T Glitch 2010
Terry Fox performing his long string installation during a concert in collaboration with Rolf Julius at HfBK-Hamburg/Averhofstrasse 1987
Foto + copyright (using Minox camera) by Tilman Küntzel 1987-2020
DVB-T Glitch 2010
Slow glitch art music video
Original: Elliott Smith
Cover: Maika White Bird
Vocal: Nya Luong
Composition for cow bells, perfomed by cows.
Komposition, Montage und Darsteller: Tilman Küntzel 1984
Klavier: Yasuko Akai
Blockflöte: Eiko Yamada
Bratsche: Sabine Schierwater